
Misleading plot descriptions had me believe that the Cuban Missle Crisis and Julianne Moore played an integral role in Tom Ford's first film, A Single Man. Although both constitute totally meaningless story elements, I don't wish to say that the film was flawed, lifeless, or not well written . I honestly enjoyed watching Colin Firth feel miserable about his dead lover for 99 minutes, though certain parts were more than a little drawn out. And despite a strong stomach for lengthy sex scenes, I found Ford's use of them to be over-indulgent; in his effort to instill some certain emotion in the viewer, the filmmaker runs the risk of seeming excessive without purpose. The two best things A Single Man has going for it are the rich, elegant cinematography (including a masterful use of color) and its ability to connect you with Firth's unspoken opinion of his existence as both pathetic and aimless. The moral of the story seems to be something along the lines of living in the now, forgetting the past, and not worrying about the future. Frankly, most audiences will just walk away feeling maybe a bit sad and wishing Julianne Moore had been given a larger role.
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